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Your Last First Date free digital audiobook - Chapter 10

Author: Novels Audio

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Building Character

I closed my eyes in yoga class, trying to put the Kent business out of my mind. While it doesn’t always

seem this way to our clients, matchmakers have insecurities too. When a date goes wrong, when I peg

someone incorrectly, or when a client vanishes, it’s hard not to question my instincts. Despite the good

handful of marriages, engagements, and babies I’d helped create, I started to wonder whether I really

possessed the qualities needed to take my skills to the next level. Perc eptiveness, humility, flexibility,

empathy, and confidence were all essential to serving my clients best, but right now, I was questioning if I

had the right balance of any of it. Anyone can pick up on cues about someone’s personality and

preferences, but to be perc eptive, a matchmaker has to detect less obvious traits and truths. For example, if

a man says he’s looking for someone “active,” he might be referring to a partner’s look more than their

lifestyle. Or similarly, if he says “personality is more important,” but then sends you photos of

flawless-looking models he swipes right on, your first match for him better be a looker if you want him to

“trust” you. Men often sugarcoat their preferences—especially the more superficial ones—to me and my

business partner, believing that because

we’re women, we might get offended otherwise. They also tend to censor feedback following their dates if

they detect the other person isn’t interested in them back, self-conscious about showing their cards. If we

couldn’t read between the blurred lines, we’d be less effective at our jobs. Men aren’t the only daters who

aren’t always candid, though. For example, if a woman says she’s open to all socioeconomic classes but

flies private and drives a Ferrari, she might be trying to avoid judgment and, in fact, prefers someone more

financially comfortable. I’d always thought I was perc eptive, but I also thought Kent and I had a good

rapport—one that would make it difficult for him to so casually disappear on me. I was wrong. Next I

thought about humility. If you’re a matchmaker or dating coach looking for credit every time you

accurately make a prediction—positive or otherwise—you’re in the wrong profession. I can recall several

times I’d pitched a joke in TV writers’ rooms that was glossed over, only for another writer to pitch an

identical one moments later and for it to be well received. This used to infuriate me. But when it comes to

helping people on their journeys to find love, you have to remove ego from the equation. There’s also

humility in volved in recognizing that, given the right personality and dedication to the craft, anyone can do

what we do. While some claim to be “born” with the gift to connect people, most of what’s needed to

succeed in our profession is learned on the job. After all, predicting which singles will couple up well, for

the rest of their lives, is a skill that can only be sharpened by failure and experience. As I listened to the

singing bowls and soothing nature sounds on the class’s soundtrack, I thought about clients who broke the

mold—such as my unscripted producer client who shared her preference for “pocket-size men,” or the data

scientist who actively sought women with pronounced jawlines. I’d also predicted the outcome of many

successful relationships, but had been surprised when certain singles didn’t hit it off, and tried my best to

learn from those interactions (such as an e-commerce CEO who only ordered water during our restaurant

meetup, but wowed his dates following a little coaching). Once I’d acc epted that my instincts weren’t

always right, I adopted more flexibility in my practice. Even in cases where my intuition is correct, clients

don’t always follow my advice. In the beginning, I talked dozens of daters into

going out with someone they weren’t originally open to, and it rarely led to success. If they had a fixed

notion of what package love would come in, I’d found it was best to try to deliver that first. After enough

strikeouts, they’d hopefully come around and let me take a less predictable swing (e. g., how I was able to

convince Kent to meet someone Natasha’s height). Still, that hadn’t been enough. “Desire for a

relationship is not the same as readiness,” my colleague Carina —whom I ran into at the matchmakers’

meetup—once wisely summarized the oft overlooked truth. Perhaps I was trying so hard to find Kent love

that I hadn’t stopped to question if he was ready for it. And maybe, just maybe, him taking a st ep back

from dating was in his best interests after all. Despite my attempts at remaining objective, I tend to get

sw ept up in the emotion of it all. I suppose this is where empathy comes in—a skilled matchmaker’s

double-edged sword. By being able to see the world from clients’ perspectives, I’m more easily able to

identify with their journeys, understand them, and find suitable partners as a result. (I’ve watched some

matchmakers operate who lack empathy, and these are often the same business owners guilty of treating

clients like numbers moving through their “system.”) But my empathy can sometimes cloud my ability to

think objectively. I can also be a harsh self-critic. Nearly two decades into the job, I still haven’t found a

way to s eparate clients’ joys and disappointments from my own. Their failures, or lapses in judgment, are

not my fault, I had to remind myself as I lay in savasana. For the last minute of class, I thought about the

final characteristic of what I believe makes a good matchmaker: confidence—the category I was most

wavering in today. The last time I remember feeling this way was when I initially contemplated the

coaching side of the business. Do I have enough knowledge and experience to fill multiple hour-long

sessions with clients? Who am I to advise them on their dating lives when my own love life is in shambles?

Only after Dave and I began dating did I feel ready. It turns out my confidence didn’t come from dating

him, though—but rather from the faith in myself that I was able, finally, to put my own advice into

practice. If Kent were to resurface, I decided I would shelve the women I planned to introduce him to—a

creative hairdresser, Cindy; an ind ependently wealthy

fitness instructor, Vanessa; and, most promising, an older and whip-smart financial advisor, Rita—until he

made more of an effort to work on himself. And in the meantime, I had other clients to focus on who

appreciated my help. “Slowly, begin to wiggle your fingers and toes,” the yogi before me commanded,

offering a gentle transition out of corpse pose. “And when you’re ready, please rise. Inhale your arms up

over your head, and exhale them down to your heart, in prayer. And remember: you are here to share, not

to be perfect.” He paused for a couple of breaths, and I smiled at the appropriateness of the mantra.

“Namaste.”

As I pr epped for a meeting with Lauren, I started to consider whether I was taking on too much. In addition

to running to doctors’ appointments, I’d been hired to write on a new animated series for Netflix, which

meant I’d have to book clients and coaching sessions around a soon-to-be-rigorous writing schedule. Our

matchmaking season was also ramping up significantly, with referrals flowing in due to pandemic-related

relationship issues. (Bumble even coined the term “New Dawn Dater” for anyone who’d recently ended

their longterm relationship.) The public’s interest in our industry also piqued after the premiere of Indian

Matchmaking on Netflix. The show wasn’t the first time matchmaking had captured the pop culture

imagination. Patti Stanger had risen to fame through her show Millionaire Matchmaker, which followed

her as she set up wealthy individuals searching for love; there was Darren Star’s Miss Match, starring

Alicia Silverstone, who had also played an amateur matchmaker as the lead in Clueless, an adaptation of

Jane Austen’s Emma (and a new iteration featuring Anya Taylor-Joy), and Hello, Dolly!. And lest we

forget, of course, the classic theatrical production of Fiddler on the Roof, Sarah Michelle Gellar’s character

in Cruel Intentions, and the matchmaker Kelsey Grammer pines for in the last season of Frasier.

Matchmaking was having a moment, and I was glad to be part of it.

I was also grateful Lauren was finally back from maternity leave. She could run point while I focused on

my other commitments, but she had a bit of catching up to do, including meeting some newer clients of

ours. They would be in great hands, but she agreed to ke ep me posted on any potential introductions before

they happened. As I glanced through our master list of clients, I provided re caps on where each stood on

their journeys. For the ones in newly formed relationships, we planned to check in and see how they were

doing. (I’d always hated to see a connection fall apart simply because one person forgot to stay in touch

with another while on vacation.) We also decided to preemptively reach out to people we hadn’t set up in a

while with updates. Like agents who submit their clients’ work for consideration often without their

knowledge, Lauren and I do a ton of behind-the-scenes work for clients that they’re unaware of. Updating

them regularly would be a full-time job itself, but I try to touch base once or twice throughout their

memberships to let them know we’re thinking about them and to help maintain confidence. Lauren asked if

I followed a client of ours, Mariel, on social media. I didn’t, so she excitedly shared with me that Mariel

just posted her first public photo on Instagram with a guy we set her up with a while back, Kenji. “I think

they’re official now!” I leaned over to take a look. Lauren had always been great at ke eping tabs on our

clients—even former ones—online. I had to laugh at the entire world finding out about their hard launch

the same time we did, but chances were they would drop us a personal note later that week. I also wanted

to fill Lauren in about recent setups: Heather, a celebrity assistant she and I matched previously, was now

going on a second date with a dynamic and femme literary agent I’d sent her way. Similarly, a new client,

Brandon, was going on his third date with Kate, the high-pitched hottie Kent had rejected. We also

discussed two new bachelorettes I hadn’t matched at all yet. When I activated the first’s membership, I’d

had several men in mind for her —but now one was unavailable due to a death in the family, and the other

had recently become exclusive with someone else he met on his own. So I needed to regroup. The other

bachelorette was also fantastic, but wildly different from the impression her intake questionnaire had

given. After talking it through, Lauren

and I landed where we always do: waiting for a new referral we were excited about rather than setting her

up with a subpar option. Quality over quantity, we reminded ourselves. Then, we shifted our conversation

to more challenging clients like Callie. I’d sent several frustrated emails about her to Lauren since she

signed up, and now Lauren wanted to know “how bad” Callie actually was. I shared that Callie was great,

but like many others who came before her, she’d been getting in her own way. “These people I’m

presenting to her are, objectively, amazing catches. Who knows—maybe you’ll have better luck.” “I think

you’ve been too nice,” Lauren told me matter-of-factly. “You should give it to her straight.” Lauren wasn’t

wrong. I’d been stewing, growing more and more impatient with Callie’s constant rejection of bachelors

and bachelorettes since we started working together, but k ept it all to myself. I’d been patient, trying to get

to the bottom of why she wasn’t rec eptive to any of my matches, but my patience wasn’t helping her. It

was time to give her some tough love.

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